The ultimate "glamour doll" with mass appeal. From Pokiri to Julayi, she was the top heroine for a decade. Noted for her stylish presence and pivotal roles in blockbusters like Naa Autograph and Kick.
Pushed boundaries with author-backed roles in Eega and A...Aa. Became a rare pan-India female star with The Family Man 2, showcasing the potential beyond traditional heroine arcs, yet faced industry shifts.
One of the most commercially successful stars of her time. Ruled the box office for over a decade with hits like Magadheera, Businessman, and Singham. Symbolized the peak of the "star heroine" era before roles diminished.
A notable exception, but her career arc highlights the trend. The "Mass Maharani" of the 2010s (Happy Days, 100% Love) saw a sharp shift to fewer, specific roles post the Baahubali phenomenon, despite the historic success.
The "lucky charm" of the mid-2010s with back-to-back hits (Venkatadri Express, Loukyam, Sarrainodu). Despite a strong run as the most sought-after heroine, her lead roles dwindled as the industry cycle turned.
The epitome of grace and pan-Indian glamour in the 2000s. Ruled the South with hits like Nuvvostanante Nenoddantana and was Rajinikanth's leading lady in the colossal Sivaji.
This isn't just about Tollywood. It's a reflection of mainstream Indian cinema's pattern. The conversation is now changing, demanding better roles and longer arcs for its talented women. Tap to share: Do you remember their iconic moments?
The epitome of grace and pan-Indian glamour in the 2000s. Ruled the South with hits like Nuvvostanante Nenoddantana and was Rajinikanth's leading lady in the colossal Sivaji.